He chose as his first post-exile cinema role that of Emilio, a Jewish theatre director reunited with friends and enemies alike, in Alberto Fischerman's Los dias de junio (Days in June), released in 1985.

He also returned to the Argentine stage and wrote numerous works, including Las primas (Cousins), Fin de siglo (Turn of the Century), and Cuadrilátero (Four-sided).

He was then cast by Academy Award-winning director Luis Puenzo in his 1992 adaptation of Albert Camus' The Plague, by Alejandro Agresti in his 1997 tragedy, La cruz (The Cross), and as the concerned grandfather of a struggling young artist in Fernando Díaz's Plaza de almas (1997).

[4] More recent dramatic roles include that of the doomed Dr. Feldman in the 2004 cable mystery series, Epitafios, and as Macías Moll, an elderly clock repairman longing for lost youth in Marcos Rodríguez's Los chicos desaparecen (2008).

Set in a belle époque building in the bohemian Montserrat section of Buenos Aires, the institution hosts one of the country's most active repertoires of William Shakespeare's works - which he considers "so challenging that we could never be past them.