The Biblical and liturgical texts include the Pentateuch, the Haftarot prophetical readings, Tiqqun soferim, Five Scrolls, and the full annual cycle of the liturgy, as well as the Haggadah (Passover ritual) and the earliest complete Hebrew text of the Book of Tobit, which is not included in the Tanakh or canon of the Hebrew Bible.
The poetry includes a large group of poems by Moses ibn Ezra, the great Spanish Sephardic poet of the previous century.
[6] The single scribe of the texts is named (in four places) as "Benjamin", who may have compiled the book for his own use; there is no "proper colophon" as might be expected in a commissioned manuscript.
[8] The manuscript is illustrated with a total of 49 full-page miniatures, mostly of Biblical subjects, "which were executed by Christian illuminators attached to three major contemporary Parisian workshops", and probably also worked on at Amiens or another north French city,[9] and reflect the latest Gothic styles, though the execution of the various artists is uneven, and one scholar complains that "broad, flat expanses of crudely painted, often runny pigment; angular, etiolated figures, and unusual colours place it well outside the orbit of the Parisian de luxe book, although its painters were undoubtedly influenced by the Parisian style".
It was examined by the Christian Hebraist Giovanni Bernardo De Rossi and published in his work Variae lectionis veteris testamenti (Parma, 1784).