AllMusic awarded the album 4 stars and the review by Thom Jurek stated "Now This is not only an excellent portrait of the bassist in winter -- his abilities undiminished -- but also an exercise in the possibilities of the piano trio in the 21st century".

[2] The Guardian's John Fordham said "They don’t play like a regular jazz-piano trio, often preferring tentative exchanges of clipped motifs and enigmatic queries to busy collective stretches or straight swing, and with considerable space for meditative individual statements.

Peacock, Copland and Baron expertly develop the pieces in that light so that, despite the overriding thoughtfulness, it is never certain in which direction the journey is moving.

[6] The Sydney Morning Herald's John Shand noted "Peacock's playing has lost none of its vigour or sinuousness, and his bass has been magnificently recorded.

Copland's distinctive approach mingles effervescence and enigma, and Baron plays with something of the same joyous naivety with which Henri Rousseau painted".