Its title was a reference to another film magazine, Nuestro Cinema, published between 1932 and 1936 in Spain.
[2] The magazine advocated the idea that the cinema was a way of uncovering reality, its social structures, and the basis of external appearances.
[3] Its theoretical basis was Marxist literary theory and literary criticism, particularly the views developed by György Lukács which were interpreted by the Italian film critic Guido Aristarco.
[3] The major contributors of Nuestro Cine included José Luis Guarner, Ricardo Muñoz Suay and Vicente Molina Foix.
[2] The magazine adopted a Marxist approach in dealing with the films and film-related topics.