[3] Guests on the album include 2 Chainz, Akon, Berner, Cam'ron, Courtney Noelle, Juicy J, Chevy Woods, Iamsu!, Lola Monroe,[4][5] Pharrell, Problem, Tuki Carter, The Weeknd, and Amber Rose.

[7] Wiz Khalifa announced on his Twitter account that he has a track in which he aims to collaborate with 50 Cent, making his guest appearance a possibility on the album.

50 Cent confirmed another track with him in an interview with the radio station, Power 106, which can be part of his upcoming project Street King Immortal or may be included in Wiz Khalifa's album but later turned into a free record.

As of June 10, 2014, the song has sold over 2,000,000 digital copies in the United States and peaked at number 17 on the Billboard Hot 100.

[22] On November 27, 2012, Wiz Khalifa released the music video for the song "The Bluff" featuring rapper Cam'ron.

[28] AllMusic's Fred Thomas commented that it veers "between the growing pains of an artist forced to develop more quickly than he's ready to and material simply less inspired than the hungrier, more excited sounds that came before" on Rolling Papers.

[29] Alex Macpherson of The Guardian felt that the album's "finest turns come from guests" and called Khalifa "a serviceable but limited type, mostly concerned with getting stoned, capable of adequately riding a catchy hook ... or interesting beat".

Club criticized that he "splits the difference between his druggy muse and his pop obligations, without much interest in finding a middle ground.

"[30] Slant Magazine's Ted Scheinman found its ultimate flaws to "have less to do with Khalifa's ego and more with the dumb, reflexive materialism of the lyrics.

"[37] Pitchfork Media's Jordan Sargent found his rapping inconsequential to the production and wrote that most of the album "questions the relevancy of Khalifa's artistic existence.

"[34] Dan Weiss of Spin felt that Khalifa "just doesn't say anything worth faintly echoing through a reverb filter.

"[38] In a positive review, Kyle Anderson of Entertainment Weekly wrote that Khalifa's "bleary-eyed charisma elevates both radio bait" and "trippy shape-shifters".

"[36] Sowmya Krishnamurthy of The Village Voice felt that its production "really works" and said that the album is "pleasant enough if not particularly inspired".

is beyond solid, full of immaculate production and airtight if simplistic rhymes about money, girls and weed.