The magazine was one of the significant publications, which contributed to the struggle for a censorship-free cinema in Francoist Spain.
[1] Spanish author Marvin D'Lugo argues that the magazine was very influential during its lifetime despite its short existence and lower levels of circulation.
[7] The magazine adopted a social realist approach, which was concerned with the highest ideal of cinema.
[9] The other significant contributors included Ricardo Muñoz Suay and Paulino Garagorri.
[2] The magazine folded after the publication of the September-October 1955 issue[6] due to the crackdown of the Francoist State.