Occult detective fiction

The narrator of Edward Bulwer-Lytton’s novella "The Haunted and the Haunters; or, The House and the Brain" (1859) is another student of the supernatural who probes a mystery involving a culprit with paranormal abilities.

The next prominent figure in this tradition was Dr. Abraham Van Helsing in Bram Stoker's Dracula (1897), followed closely by E. and H. Heron's Flaxman Low, featured in a series of stories in Pearson's Magazine (1898–99), Algernon Blackwood's Dr. John Silence, and William Hope Hodgson's Carnacki the Ghost Finder.

[1] Other supernatural sleuths in fiction dating to the late nineteenth century include Alice and Claude Askew's Aylmer Vance and Champion de Crespigny's Norton Vyse.

Thomas Carnacki may well be considered one of the first true occult detectives, as he combined both knowledge and experience of what he calls “the ab-natural” with scientific deductive method and equipment.

Modern writers who have used the occult detective theme as a basis for supernatural adventures include Peter Saxon (The Guardians series), John Burke (Dr Alex Caspian), Frank Lauria (Dr Owen Orient), Lin Carter (Anton Zarnak), William Massa (Occult Assassin, The Paranormalist, Shadow Detective, Spirit Breakers) and Joseph Payne Brennan (Lucius Leffing).

The occult detective theme has also been used with series characters devised by such contemporary writers as Douglas Adams (Dirk Gently), F. Paul Wilson (the Repairman Jack series), Steve Rasnic Tem (Charlie Goode), Jessica Amanda Salmonson (Miss Penelope Pettiweather), David Rowlands (Father O'Connor), Rick Kennett (Ernie Pine), Brian Lumley (Titus Crow), Robert Weinberg (Sydney Taine), Simon R. Green (John Taylor), Steve Niles (Cal McDonald), Mike Carey (Felix Castor), Mike Mignola (Joe Golem), Mercedes Lackey (Diana Tregarde), Laurell K. Hamilton (Anita Blake), Brian Keene (Levi Stoltzfus), Jonathan L. Howard (Johannes Cabal), Brandon Barrows (Azuma Kuromori), and Jonathan Maberry (Sam Hunter).

Assaph Mehr's Stories of Togas, Daggers, and Magic combine historical mystery detective in ancient Rome with fantasy and occult elements.

A useful recent anthology collecting specimens of the genre is Mark Valentine, ed., The Black Veil & Other Tales of Supernatural Sleuths (ISBN 978-1-84022-088-9), published by Wordsworth Editions in 2009.

(1973), a British production with Leonard Nimoy and Susan Hampshire vs. an evil occult society; God Told Me To, a 1976 horror and detective film with police procedural and paranormal elements; Spectre (1977), starring Robert Culp and Gig Young as criminologists turned demonologists; The World of Darkness (1977) and its sequel, The World Beyond (1978), starring Granville Van Dusen as a man who battles the supernatural following his own near death experience.

More recent examples include: Angel Heart, The Believers, Blood Ties, Constantine, The Dresden Files, Dylan Dog: Dead of Night, The Exorcist III, Forever Knight, Grimm, Lord of Illusions, Lucifer, The Ninth Gate, !Oka Tokat, Penny Dreadful, R.I.P.D., Special Unit 2, Split Second, Supernatural, Twin Peaks, Vidocq, The X-Files, Millennium, Angel, True Detective (particularly seasons one and four), The Vampire Detective, Evil, and Wednesday.

[4] Many modern examples of the genre such as Hellboy, Supernatural, Grimm, The Originals, and The Dresden Files have been influenced by it,[5][6] and many imitators of both the series and its character flourished such as Criminal Macabre, Gravel, Planetary, and others.

Two Hellblazer writers have gone on to write their own occult detective characters: Sebastian O also at Vertigo by Grant Morrison and Warren Ellis' Gravel from Avatar Press.

Occult detective Carnacki inspecting the "queer, soft, flabby, spreading foot-print" of an apparent ghost, in the 1910 story "The Searcher of the End House"