Old Mortality

In the event the second tale, Old Mortality, expanded to take up the final three volumes, leaving The Black Dwarf as the only story to appear exactly as intended.

The title-page indicated that the Tales were 'collected and arranged by Jedediah Cleishbotham', reinforcing the sense of a new venture moving on from the first three novels with 'the Author of Waverley' and his publishers, Archibald Constable in Edinburgh and Longman, Hurst, Rees, Orme, and Brown in London.

After an Introduction to the Tales of My Landlord, supposedly written by the novel's (fictional) editor Jedediah Cleishbotham, the first chapter by the (fictional) author Peter Pattieson describes Robert Paterson ('Old Mortality'), a Scotsman of the 18th century, who late in life decided to travel around Scotland re-engraving the tombs of 17th-century Covenanter martyrs.

Pattieson describes at length meeting Robert Paterson, hearing his anecdotes, and finding other stories of the events to present an unbiased picture.

This was a show of her support for the Royalist cause, but most of her tenants favoured the opposing Covenanters (who wanted the re-establishment of presbyterianism in Scotland) and she has to enlist her unwilling servants.

After her supporters are duly mustered, the main sport is a shoot at the popinjay in which the Cavalier favourite is narrowly defeated by Henry Morton, son of a Covenanter.

During celebrations of his popinjay victory in the inn that evening, Morton stands up for John Balfour of Burley against bullying by Cavalier dragoons.

During this battle a small but well organised group of Covenanters defeated a force of dragoons led by John Graham of Claverhouse.

However, after this initial success, Scott traces the growth of factionalism, which hastened its defeat at the Battle of Bothwell Bridge in 1679, by forces led by the Duke of Monmouth and John Graham of Claverhouse.

Henry Morton's involvement in the rebellion causes a conflict of loyalties for him, since Edith Bellenden belongs to a Royalist family who oppose the uprising.

The novel ends with Morton returning to Scotland in 1689 to find a changed political and religious climate following the overthrow of James VII, and to be reconciled with Edith.

Principal characters in bold Mr Morton of Milnewood, a Presbyterian Henry Morton, his nephew Alison Wilson, his housekeeper Lady Margaret Bellenden of Tillietudlem Edith, her granddaughter Major Bellenden, her brother-in-law Gudyill, her butler Goose Gibbie, her half-witted servant Jenny Dennison, Edith's maid Mause Headrigg Cuddie, her son Lord Evandale Lady Emily Hamilton, his sister Niel Blane, a publican Jenny, his daughter John Grahame of Claverhouse Francis Stuart (Bothwell), his sergeant Cornet Richard Grahame, his nephew Tam Halliday, Bothwell's comrade Gabriel Kettledrummle, Peter Poundtext, Ephraim Macbriar, and Habbakuk Mucklewraith, Covenanting preachers John Balfour or Burley, a Covenanter The Duke of Monmouth General Dalzell, his aide-de-camp The Duke of Lauderdale Basil Olifant Bessie MacClure Peggy, her granddaughter Wittenbold, a Dutch dragoon commander Ch.

1: An assistant schoolmaster at Gandercleugh, Peter Pattieson, tells of his encounter with Old Mortality repairing Covenanters' gravestones, and of the stories he told that form the basis of the following narrative.

2: Lady Margaret Bellenden has difficulty in finding enough willing servants to fulfil her obligation to send a prescribed number to the wappen-schaw (muster).

3: At the wappen-schaw Henry Morton wins the contest of shooting at the popinjay (parrot), defeating Lord Evandale and a young plebeian [later identified as Cuddie Headrigg].

4: At Niel Blane's inn John Balfour (or Burley) defeats Francis Stuart (Bothwell) in a wrestling bout.

5: Henry shelters Burley in the stable at Milnewood, securing for him provisions obtained ostensibly for his own refreshment from the garrulous housekeeper Alison Wilson.

She writes a letter, to be conveyed by Goose Gibbie, suggesting that her uncle Major Miles Bellenden should speak in Henry's behalf to Claverhouse.

13 (26): Leaving the Tullietudlem siege with reluctance at Burley's insistence, Henry joins in an unsuccessful attempt to take Glasgow.

14 (27): Henry returns with Peter Poundtext to Tillietudlem village and they persuade Burley to spare Evandale, captured in a sally, from execution.

15 (28): After an appeal by Jenny Dennison to Henry, he releases Evandale, who arranges the surrender of Tillietudlem before setting out for Edinburgh to join Monmouth, in company with the women folk.

6 (36): The Privy Council of Scotland sentences Henry to exile before pardoning Cuddie and torturing Macbriar and condemning him to death.

7 (37): After ten years Henry returns to Scotland, visiting Cuddie incognito at his cottage near Bothwell Bridge to ascertain the present state of affairs, including Basil Olifant's success in obtaining ownership of Tillietudlem and Edith's engagement to Evandale.

Evandale asks Edith to marry him before he leaves for the campaign against Claverhouse (now Viscount Dundee) but after catching sight of Henry looking in through the window she breaks off the engagement.

12 (42): Bessie tells her own story and updates Henry on Burley's recent history and his current retreat at the Black Linn of Linklater.

[7] Most of the reviewers rated Old Mortality considerably higher than The Black Dwarf, with particular appreciation of the characters and descriptions, though there were several objections to the weakness of the hero Henry Morton.

Henry Duncan, who opened the first savings bank, published a set of three novels attempting to counteract the negative view of the Covenanters given in Old Mortality.

The play Têtes rondes et Cavaliers (1833) by Jacques-François Ancelot and Joseph Xavier Saintine is based on Scott's novel.

[10] Vincenzo Bellini's opera I puritani (1835), with a libretto written by Italian emigre in Paris, Count Carlo Pepoli, is in turn based on that play.

to a painting by Alexander Chisholm is effectively a eulogy on Sir Walter Scott himself following his death and also recounts his visit to Italy.

Old Mortality on the Scott Monument , Edinburgh, sculpted by Andrew Currie
Sculpture of "Old Mortality and His Pony" at Laurel Hill Cemetery , Philadelphia
'Old Mortality', Balmaclellan