Robert Southey

Like the other Lake Poets, William Wordsworth and Samuel Taylor Coleridge, Southey began as a radical but became steadily more conservative as he gained respect for Britain and its institutions.

[1] He was educated at Westminster School, London (where he was expelled for writing an article in The Flagellant, a magazine he originated,[2] attributing the invention of flogging to the Devil),[3] and at Balliol College, Oxford.

Experimenting with a writing partnership with Samuel Taylor Coleridge, most notably in their joint composition of The Fall of Robespierre, Southey published his first collection of poems in 1794.

The same year, Southey, Coleridge, Robert Lovell and several others discussed creating an idealistic community ("pantisocracy") on the banks of the Susquehanna River in America.

In 1799, Southey and Coleridge were involved with early experiments with nitrous oxide (laughing gas), conducted by the Cornish scientist Humphry Davy.

He was a generous man, particularly kind to Coleridge's abandoned family, but he incurred the enmity of many, including Hazlitt as well as Byron, who felt he had betrayed his principles in accepting pensions and the laureateship, and in retracting his youthful ideals.

[2] Defunct Although originally a radical supporter of the French Revolution, Southey followed the trajectory of his fellow Romantic poets Wordsworth and Coleridge towards conservatism.

He argued against parliamentary reform ("the railroad to ruin with the Devil for driver"), blamed the Peterloo Massacre on an allegedly revolutionary "rabble" killed and injured by government troops, and spurned Catholic emancipation.

Such writers were guilty, he wrote in the Quarterly Review, of "inflaming the turbulent temper of the manufacturer and disturbing the quiet attachment of the peasant to those institutions under which he and his fathers have dwelt in peace."

He sympathised with the pioneering socialist plans of Robert Owen, advocated that the state promote public works to maintain high employment, and called for universal education.

In his portrait of Southey, in The Spirit of the Age, he wrote: "He wooed Liberty as a youthful lover, but it was perhaps more as a mistress than a bride; and he has since wedded with an elderly and not very reputable lady, called Legitimacy."

[14] In a spirited response Southey wrote an open letter to the MP, in which he explained that he had always aimed at lessening human misery and bettering the condition of all the lower classes and that he had only changed in respect of "the means by which that amelioration was to be effected.

In response, Southey attacked what he called the Satanic School among modern poets in the preface to his poem, A Vision of Judgement, written after the death of George III.

Without his prior knowledge, the Earl of Radnor, an admirer of his work, had Southey returned as MP for the latter's pocket borough seat of Downton in Wiltshire at the 1826 general election, as an opponent of Catholic emancipation, but Southey refused to sit, causing a by-election in December that year, pleading that he did not have a large enough estate to support him through political life,[17] or want to take on the hours full attendance required.

Why the poem is alone sufficient to redeem the character of the age we live in from the imputation of degenerating in Poetry [...] On the whole, I expect Southey one day to rival Milton.

Wine Street, Bristol (1872)
Mary Matilda Betham, Portrait of Edith May Southey , 1809 [ 6 ]
Mary Matilda Betham , Portrait of Herbert , 1809 [ 6 ]
Robert Southey, by Sir Francis Chantrey , 1832, National Portrait Gallery , London
Peter Vandyke , Portrait of Robert Southey , Aged 21 , 1795
Portrait by Thomas Lawrence , c. 1810
A 1797 caricature of Southey's early radical poetry
Bust of Southey created by Edward Hodges Baily in 1845, Bristol Cathedral