Only When You Leave

[5] The band decided to continue working with their True co-producers, Tony Swain and Steve Jolley, on their next album, Parade, which was recorded in Munich.

"[6] Although Kemp normally would come up with whatever concept or storyline was presented in Spandau Ballet videos, his focus on the new album meant handing over control of "Only When You Leave" to the director.

[9][b] Kemp explained that the vignettes, some of which borrow elements from movies like Strangers on a Train, are not meant to present an entire story, saying that "you just give people the general idea and they work it out for themselves.

[d] A man smoking a cigar steps on the doll on his way up the stairs, and the boy's clothing changes at that moment from white to a dark shade of pink, a colour that predominates throughout.

A scene at the start of the bridge to the song presents what looks to be her dead body being discovered by the tennis match audience members in the bleachers just moments after she and Hadley were in conversation.

[2] In their capsule review, the editors of Billboard magazine wrote, "Elegance, sophistication, panache and a dance beat to boot; unwonted restraint from singer Tony Hadley.

"[24] Neil Tennant of Smash Hits concurred that Hadley "gives a warm, restrained performance on this funky and rockin' number which also displays Gary Kemp's talents as a scratchy rhythm guitarist.

The silhouette of a man carrying a double bass passes in the foreground as Spandau Ballet performs.
In his book Film and Television In-Jokes , Bill van Heerden notes, "A Hitchcock look-alike crosses the stage in front of [the band] carrying a bass fiddle (as Hitchcock did in Strangers on a Train , 1951)." [ 7 ]