Liszt also had the operetta composer August Conradi orchestrate his Le juif errant and Jeanne d'Arc around 1848, but these too were neither published nor performed.
These models were influential on Alma Mahler-Werfel, Zemlinsky, Joseph Marx, Arnold Schoenberg, Max Reger, Othmar Schoeck, Pfitzner, and Frank Martin: 6 Monologe aus Jedermann.
Aside from Grieg, Scandinavian examples include Ture Rangström's Swedish cycle Häxorna ("The Witches") (1938) Den Utvalda ("The Chosen"), Madetoja's Syksy-sarja (Autumn Song Cycle), Selim Palmgren's En sällsam fågel (a lonely bird) and Aamun autereessa (in the morning mist), Danish composer Peter Lange-Müller's orchestrations of his songs, and Erik Norby's Rilke-Lieder for mezzo-soprano and orchestra.
In Slavic lands examples include Glazunov and Rimsky-Korsakov's orchestrations of Musorgsky's four Songs and Dances of Death, Shostakovich's orchestral song cycles, such as From Jewish Folk Poetry, Romances on words by Japanese poets, Suite on Verses of Michelangelo Buonarroti (1974), also – to an extent – his Thirteenth "Babi Yar" (1962) and Fourteenth Symphonies.
Ralph Vaughan Williams contributed the orchestration of his On Wenlock Edge, originally for voice, piano and optional string quartet.