Musically, the album is composed of electro-infused dance tracks with thick euro synths, cymbal crashing beats and Europop lyrics.

New writers on the album include Mimoza Blinsson, Alfred Tuohey, Nina Peifer, Max Persson, and Salar Gorgees.

[2] A second single, "Night Nurse", was the released along with a music video featuring Natalie in full body paint of various colors in many scenes.

The production features more cymbal crashing beats, modern robotic synths and heavily auto-tuned male vocals.

On two of the songs, “Unspoken” and “Independence Day”, Zimbabwean-German rapper Carlprit was featured, rapping throughout the first and second verse while Horler sang the chorus.

The song has been most notably compared to “California Gurls” in sound, noting the similar floaty synth hook and grinding beats.

[3] The second track, “Au revoir,” is an electropop song with influences of glam schlager[3] about how some men put up a front and how it does not faze Horler.

“Night Nurse” is an electropop song that has the recycled beat of “Pyromania” but has an ominous undertone and excessively Auto-Tuned male vocals.

It features a robotic sound,[3] aided by the Auto-Tuned male vocals and the Lady Gaga electro-style,[3] and a “pyro-pyro” hook.

The ninth track from the album, “Sinner On the Dancefloor,” is written about a love affair on the dance floor and features pin-sharp beats produced by the drum machine, thick Eurodance synthesizers, and the Auto-Tune effects on unknown male vocals on the song.

“Hungover” is an obligatory pop ballad[3] with urban influences that resembles the sound of American musician Ryan Tedder’s musical work.