He wanted his work to make a huge statement, by having the public experience the events occurring in Argentina's culture while capturing innocence, guilty, and the people being trapped.
Bony graduated from Colegio de Posadas with an undergraduate degree and began his artistic training with Lucas Braulio Areco.
In 1959, he received a grant to travel to Buenos Aires to study at the Escuela Preparatoria de Bellas Artes.
This positioned him in the midst of a radical movement—the avant-garde movement then taking place in alternative galleries in Argentina.
Oscar worked as an assistant for Antonio Berni He focused on imagery, and this phase of his life revealed a certain expression of realism, which then moved him towards the new figuration movement.
His work ranged from painting to live installations to video, finally focusing primarily on photography towards the end of his life.
Oscar Bony won many awards:[8] 1955 - 1st student prize for office of culture of the province of Missiones, Posadas.
The most popular one that he was involved with, the most well known, was Experencias '68, but he was also shown in From Figurations to System Art in London in 1971, as well as Otra Fotografia in Buenos Aires in 1997.
Bony used and paid a working-class family to sit in the gallery while recorded sounds of their everyday life played in the background.
[7] The performance drew attention to questions of class and inequality not discussed in the mainstream Argentinian press.
Bony's installation 60 metros cuadrados y su informacion (60 Square meters and its information) was first shown as part of Experiencias Visuales 1967.
- La Ley Divina No tiene Porgue ser Justa (The Divine law doesn't have to be fair), 1998 - Los Cielos (The Skies) 1975