She was a virtuoso performer of the popular songs of that period – imayō (今様) – and was the foremost authority on the form, which had been passed down through generations of female teachers.
In her seventies, she passed on her knowledge to the seventy-seventh emperor, Go-Shirakawa, who collected the works in the popular anthology, Songs to Make the Dust Dance on the Beams (Ryōjin Hishō 梁塵秘抄).
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