As he met Piet Mondrian, Theo van Doesburg and the circle of radical artists working in the Neo-Plasticist aesthetic, he came to adopt an increasingly reduced vocabulary of abstract rectilinear form, as well as being more and more affected by Constructivism.
In 1929 he and van Doesburg, Jean Hélion, Léon Arthur Tutundjian and Marcel Wantz (1911-79) founded the group Art Concret, and the following year they published their joint manifesto.
[5] "Their proclamation called for a universal art composed of planes and colours executed crisply, precisely, mechanically.
Following van Doesburg's death in 1931, the Art Concret group united with the larger association Abstraction-Création, founded in 1932, though was never formally dissolved.
Following increased domestic attention to geometric abstraction in the 1940s, a retrospective exhibition was held in Stockholm in 1947 to great acclaim.