Its guest appearances include Marshmello, El Fantasma, Chino Pacas, María Becerra, Manuel Turizo, Gabito Ballesteros, Juanpa Salzar, Calle 24, Chuy Montana, Armenta, Chuyín, Jonathan Caro, Omar Ruiz, Los Dareyes de la Sierra, Turo Pacas, and Ángel Tumbado, with production being handled by several producers, as well as some of the respective artists.

Artists who have collaborated in at least one track in the album include Marshmello, El Fantasma, Chino Pacas, María Becerra, Manuel Turizo, Juanpa Salzar, Calle 24, Gabito Ballesteros, Chuy Montana, Armenta, Chuyín, Caro, Omar Ruiz, Los Dareyes de la Sierra, Turo Pacas, and Ángel Tumbado, who also handle production on their own songs on the album.

Billboard described "Bienvenida": "Pa Las Baby’s [y Belikeada] opens with a dark and seductive tone, as a sultry voice professes her affection for corridos... then she appears to pick up a machine gun and shoot.

[8] Lyrically, the songs "GDL", "CJNG", "3 Trokas", and "F's" are apologies for organized crime and are possibly directed to close alies of Mexican drug lord El Mencho.

[4] Isabela Raygoza from Billboard commented on the release: "The album serves as a testament to the group’s evolution as they immerse themselves in la belikeada movement, embracing the realm of excess in all forms: women, power, wealth.

"[7] Julianne Escobedo Shepherd from Pitchfork described Pa Las Baby's y Belikeada as a "30-song sierreño epic detailing a seedy millennial underworld of parties inside compounds with armed guards, high-stakes gamblers, and babes with big asses.