In prosody a paeon (or paean) is a metrical foot used in both poetry and prose.
[1] Paeons were often used in the traditional Greek hymn to Apollo called paeans.
[3] The cretic or amphimacer metrical foot, with three syllables, the first and last of which are long and the second short, is sometimes also called a paeon diagyios.
[4] The paeon (particularly the first and fourth) was favored by ancient prose writers since, unlike the dactyl, spondee, trochee, and iamb, it was not associated with a particular poetic meter, such as the hexameter, tetrameter, or trimeter, and so produced a sound not overly poetical or familiar.
[5] Regarding the use of the paeon in prose, Aristotle writes: This was of special importance to orators (and in particular forensic orators) for whom, while the use of rhythmic elements was thought to produce memorable and moving speech, the use of the less obvious paeonic rhythm was thought to help them seem less contrived and thus more sincere, rendering their speech more effective.