Reddy's Srichakra engraving on aventurine stone has a Devanagari ‘sri’ in the centre, emphasizing both his title and the form of the yantra.
Two figures overlay the Sri Yantra, their heads opposite one another at top and bottom, their bodies joined in sexual union in the centre.
Raza, Mahirwan Mamtani, and Biren De, and thus he serves as an entry point and guide to the works of Indian artists.
Reddy's work began growing more abstract and started to reflect Buddhist, Hindu and Tantric symbols and structures.
For artists struggling with being both modern and Indian in the 1960s and 1970s, neo-Tantric imagery provided a solution, indicating a path through the abstraction/representation bind and retaining both a universality of form and a specificity of national identity.
His works have been exhibited in the U.K., United States, Soviet Union, Sweden, Switzerland and Greece, and represented in the collections of the Royal Palace, London, N.G.M.A., New Delhi, and many other institutions.