The Line of Best Fit said that the "ethereal charms" of their first album "now swirl with a cyclonic velocity that when combined with richer and fuller production make their early recordings feel like demos in comparison.

From the opening doubled-barrelled vocal assault of the Eklund sisters on 'Sorrow, Sorrow' through to the closing blare of 'Tingle in my Hand', [the album] grabs you by the scruff of the neck and propels your through its curios like a runaway ghost train.

"[4] Arbetarbladet complimented the band for incorporating elements of 1970s rock, specifically from groups like Thin Lizzy, into their music while describing Martin Källholm as a "competent songwriter" and highlighting Anna Eklund's vocals.

For anyone who asked that question about Teenage Fanclub's comeback record, the answer may be that the rattling guitars ended up here, on Sad Day for Puppets' second album.

I would like to change the settings on Sad Day for Puppet's amplifier, plug in some unusual power pedals, record the guitar backwards, do something that moves the sound away from what feels too 'classic' and done.