She worked in the "black-and-red on yellow" style of pottery, which Nampeyo popularized as Sikyátki revival ware.
Late in her career, she experimented with white slips and innovated a whiteware technique.
[1][2] Naha's pottery was preceded by the success of fellow Hopi-Tewa potter Nampeyo, whose Sikyátki revival ware used a black-and-red on yellow scheme.
She was known for making complicated pots, including ollas and low seed jars.
[6] Towards the end of her career, around 1951 or 1952,[5] she started experimenting with white slips, innovating polychrome whiteware.