Pardon (ceremony)

Of very ancient origin, probably dating back to the conversion of the country by the Celtic monks, it is comparable to the pattern days of pre-famine Ireland.

Its observance, however, has actually commenced earlier, for the preceding evening is devoted to confession, and the rosary is generally recited by the pilgrims the whole way to the place of the pardon.

The dispersal of the pilgrims until meeting at the appointed place, like the procession, symbolises the desire to obtain intercession from the celebrated saint by offering the effort of the journey as an act of faith.

This reflects the Christian view that the human condition on Earth is a journey towards the Kingdom of heaven or the new Promised Land.

Following this logic, the pilgrims are invited to confess their sins to their priests before taking part in the mass, which is often followed by solemn vespers.

However, the majority honour local saints because of their patronage role to protect specific categories of people or activities.

Its influence is now international, since thousands of pilgrims, official or anonymous, from all the countries of the world, meet at his tomb in the parish of his birthplace, in fraternities of lawyers, judges and other legal professionals.

Pardons were a popular subject in 19th century French art, since the local people dressed in their elaborate traditional Breton costume for the ceremonies, and also involved open-air public festivities.

The Pardon at Kergoat (1891) by Jules Breton
The Pardon of Saint Yves in Tréguier, 2005
Femmes de Plougastel au Pardon de Sainte-Anne-La-Palud , 1903, by Charles Cottet