[2] Park married a celebrated artist, Kim Ki-chang, with whom she presented exhibitions and private showcases, helped highlight her work though she was already beginning her journey by herself.

[3] Her youngest daughter, who is a nun in South Korea, said in an interview that she had spent her life as a good mother, as well as a committed painter and wife.

As a member of Baekyanghoe [ko], the first group made in 1957 for oriental painting artists in Korea after 1945 (the year that Korea became independent from Japan), she started exhibit her works at the Baek-yanghoe group exhibitions held in Taipei (February 1960), Hongkong (February to March 1960), and Tokyo and Osaka (January 1961).

[6] After finishing her work, she visited several nations in Latin America, including Mexico, then studied tapestry and printmaking in New York City since 1969.

The third phase (1960s) began experimenting abstractionism, and the fourth period (1970s) made use of tapestry and printmaking skills in creative drawing.