In her paintings, the body appears surrounded by the objects of daily life, medical instruments or organic elements such as grass or hair.
She incorporates images of human organs, such as the intestine and kidneys, or of different bones, such as the spine and ribs; in some paintings, there exists a dividing line whose function is to create a circular reading, one in which the planes are inside of each other.
[4] Because of the feminist nature of her work, it is included as part of Archiva, an archival project by Mónica Mayer about Mexican artists.
At the same time, she studied mural painting, screen printing and drawing at the National School of Studio Arts, at UNAM's Academia de San Carlos (ENAP).
The painter herself affirms that in this piece she works the idea of the female body without representing it, thus avoiding the act of converting it into an object.