He was appointed Subject Leader MA Printmaking at Camberwell College of Arts in 1997 and 1998 took over as project leader for a research project The Integration of Computers within Fine art practice developing his interest in the use of digital technology within Printmaking.
[2] His curatorial practice includes Digital Responses for the V&A 2002–03 and Morandi's Legacy; Influences on British Art for the Estorick Collection London and Abbot Hall Cumbria 2006, which explored his long-term interest in this Italian artist.
In addition to his teaching and studio practice, he worked with Paula Rego on all her etchings between 1985 and 2005, including the Nursery Rhymes and Peter Pan.
He has contributed to numerous conferences and symposia, including as key note speaker at Reflections on Contemporary Printmaking, Portugal 2013, Impact 7 Australia 2011, Password, Lybijana 2014 and SNAP3 International Print Symposium.
In 2013 as a result of researching at The Scott Polar Research Institute, Cambridge, he staged Re-Imagining Scott- Objects and Journeys[4] and then in 2016 following research in London & Vienna, made work for a two person exhibition at the Sigmund Freud Museum, Vienna Setting Memory[5] which was further developed into a solo exhibition at the Freud Museum London Temporarily Accessioned-Freud's Coat Revisited 2017.