[1] In 2013, he translated paint stains on his studio floor into a series of ink drawings that were exhibited in "Twilit Ensembles," his first Manhattan solo show, at Pocket Utopia on the Lower East Side.
"[3] Later he went on to create Chromatic Alphabet, a system of painted geometric shapes representing letters A-Z, a piece that was included in "Scriptive Formalities," a solo show at Life on Mars,[4] in Brooklyn, NY.
[1] In 2017, in “Foofaraw & Spleen” a two-person show at The Lodge Gallery in New York, he presented a series of gentle watercolor paintings of fruit and flowers combined with snippets of handwritten narratives that blurred the line between fact and fiction, determination, emotion, and repudiation.
In 2010, New York Times reporter Jed Lipinski included Paul D'Agostino and Centotto in an article about the neo-bohemian collectives and organizations that were transforming Brooklyn's Bushwick neighborhood.
European Studies / Italian Language and Literature (double major), Summa Cum Laude and With Honors, Phi Beta Kappa, May 1999, The College of William & Mary, Williamsburg, Virginia.