Between 1996–2001, Druecke's one-person organization, Art Street Window, oversaw an innovative series of site-specific installations in vacant downtown storefronts.
[6] Paul Druecke works with a variety of materials and approaches: landmarks, snapshots, beacons, litter, and kitchen routines become sculptures, books, cooking programs, and public interventions.
The platform he’s invented employs both pictorial and structural means to present it.”[9] Mary L. Schumacher writes about Blue Dress Park, "I've come to believe that idiosyncratic, creative form of can-do spirit on the part of some of Milwaukee's more independent minded artists is one of our city's more defining assets.
"[10] Ned Marto writes of his recent project “America Pastime is unique in that it represents perhaps one of the first social practice-based art projects in the age of quarantine.”[11] Donna Stonecipher summarizes Druecke's nuanced art practice in her essay Garden Path (2014), “As such, the work fits perfectly into Druecke's body of work, which ingeniously and tenaciously examines the fault lines of social space using a variety of idiosyncratic approaches.”[12] A discussion of Druecke's work, co-authored with Amanda Douberley, is included in the anthology, Blackwell Companion to Public Art (2016).
Lynden Sculpture Garden The Poor Farm Many Mini Residency Aurora Picture Show The Green Gallery Hermetic Gallery Liverpool Biennial Review by John Gurda, "A journal, a novel, but mostly a journal: entries cryptic and profound looped to create a fabric with recurring characters and repeated themes, notably the precious eternal interplay between land and life realized in a luminous piece of real estate on Milwaukee's East Side."