"[12] Its renowned luminaries included Charles Dana Gibson, J. C. Leyendecker, Maxfield Parrish, Norman Rockwell, and N. C. Wyeth.

Nevertheless, these illustrators communicated and documented the people's aspirations, concerns, customs, humor, ideals, labor, morals and social interests.

)[32][d] His instructors included Charles Louis Hinton, Francis Coates Jones, George W. Maynard, and Edgar Melville Ward.

Uncle Paul's niece Edna is writing down the license plate number of a boy's wagon,[65][69] on the Liberty cover of September 12, 1925.

[82] Some artists created a niche for themselves by focusing on drawing comical situations, domestic follies, political satire, pretty women, or simple pleasures.

Their descriptions follow:[84] bobbing for apples, loading up on desserts, shooting marbles, playing the flute,[85] decked out in a straw hat, shoveling snow, winding up a spinning top, carrying schoolbooks, eating holiday turkey, catching a baseball, playing football, going down a water slide,[86] sleigh riding, happily swimming, saying grace, getting hair shaved, working as a messenger, and daydreaming about fishing.

Martin designed "Wrigley Gum's" light bulb spectacular, which showcased six acrobatic "spearmen" on a Broadway billboard in 1917.

Women were encouraged to entertain off-duty soldiers by joining them in various activities (dancing, dining, sightseeing, socializing, theater, etc.).

[9] He drew five different scenes of snow activities for the New York, Ontario and Western Railway (a passenger & freight carrier) in 1921–22.

[113] The following review was made by W. Livingston Larned in Printers' Ink, 1930: " 'Electric Lemonaide, 5 cents per glass,' reads the sign of the youthful shopkeepers.

[120] The judging panel consisted of W. T. Benda (who replaced Charles Dana Gibson),[121] Ray Greenleaf, Rockwell Kent, John La Gatta, Neysa McMein and Edward A.

[128] National President Birdsall Otis Edey was one of three consultants, along with executives Anne Hyde Choate and Genevieve Garvan Brady.

She is the very spirit of radiant, happy, and wholesome young girlhood, and my mind naturally turned to her immediately when I learned of the competition.

They were: Advertising & Selling,[135][36] Good Hardware,[136] Progressive Grocer ("voice of the retail food industry"),[137] and Silent Hostess (for homemakers).

As follows: "The cover design on this issue of Foreign Service[91] is a two-color reproduction of the official 1932 Buddy Poppy poster.

][142] "The original was painted in oil by the late Paul Martin, noted New York poster artist who died suddenly on March 19th, following a serious operation.

The stance and all-important props remained basically intact, but with the latest tire design and a more fashionable, less-tilted candle holder.

As follows: "a happy, smiling, 100 percent American boy in his little two-piece pajama[s], radiating good cheer, ruddy-cheeked and tousle-headed, snappy and wide awake, standing in the old-time pose.

Titles follow (8 total): Candy Land, Jack and the Bean Stalk, Little Black Sambo, Peter Rabbit, Pied Piper, Three Bears, Three Little Kittens, and Three Little Pigs.

The mascot also appeared on ashtrays,[171] bridge score pads,[172] cigarette cases,[s] electrical clocks,[173] jigsaw puzzles,[174] matchbooks,[175] posters[176] and rubber heel replacements for shoes.

[178][179] Fisk retailers used Martin's lively figure on their data books,[180] display windows,[t] letterheads, and mailing envelopes.

Martin's opponents included future Hall of Famers Fred Alexander,[229] Jean Borotra,[230] Francis Hunter,[231] Gerald Patterson,[232] Vincent Richards,[233][z] Bill Tilden,[234] John Van Ryn,[235] & Marie Wagner.

[236][aa] A doubles partner and longtime clubmate was newspaper columnist Franklin P. Adams, who wrote "Baseball's Sad Lexicon.

[243] He was a standout singles and doubles player for two tennis clubs: University Heights (Bronx, N.Y.)[244] and County (Hartsdale, N.Y.).

Martin was a longtime committee and playing member of the University Heights TC and lived in the immediate area.

Excerpts:[Bill] Tilden and Strachan advanced from the semi-finals of the doubles, by putting out Alfred D. Hammett and Paul Martin at 6–4, 5–7, 6–1, 6–3.

Hammett and Martin were always contenders, except in the third set when they slumped badly, and in order to hold them off, Tilden constantly found it necessary to invade his partner's territory and play the opposing pair single-handed[ly].

In the third set, Hammett and Martin went to pieces as Tilden became rampant and raked their court with placement drives and volleys.

After the Philadelphians had gained a commanding lead, the New York pair allowed th[is] set to go without making much effort, preferring to save their strength for the next chapter.

Both Martin and Hammett fought with everything they had, and their team work was splendidly coordinated, but [it] all counted for nought against the individual brilliance of Tilden [ranked World No.