[1] In her work, Curnier Jardin has revisited Joan of Arc, Bernadette Soubirous, the Goddess Demeter, the birth of Jesus and his saint Family, the Anatomical theatre of the Renaissance, as well as pagan and catholic rites in Central and Southern Europe.
[9] In the film-work Grotta Profunda, les humeurs de gouffre, the moody chasm (2011) Curnier Jardin explores the life of Bernadette Soubirous (Maria Bernada Sobeirons), the Pyrenean visionary, who on 11 February 1858 claimed she saw a young girl in a cave at Massabielle.
[1] As the winner of the Preis der Nationalgalerie 2019,[12] Curnier Jardin presented the extensive video installation Fat to Ashes[13] at Hamburger Bahnhof - Museum für Gegenwart, Berlin, in 2021.
The exhibition was centred on the filmic work «Fat to Ashes» which combines 3 storylines: a religious festival in honour of St. Agatha, the slaughter of a pig, and the carnival in Cologne.
A large-scale amphitheatre encompasses the film installation as the centre of the spectacle, and thus transformations, processions, and practised performance in ritualised excess are the content and formal attributes of Curnier Jardin's Fat to Ashes.