Pedro I of Brazil

[A] Born in Lisbon, Pedro I was the fourth child of King Dom John VI of Portugal and Queen Carlota Joaquina, and thus a member of the House of Braganza.

Faced at first with what seemed a national civil war, he soon became involved in a wider conflict that enveloped the Iberian Peninsula in a struggle between proponents of liberalism and those seeking a return to absolutism.

He was hailed by both contemporaries and posterity as a key figure who helped spread the liberal ideals that allowed Brazil and Portugal to move from absolutist regimes to representative forms of government.

[13] A modicum of stability during his childhood was provided by his aia (governess), Maria Genoveva do Rêgo e Matos, whom he loved as a mother, and by his aio (supervisor) friar António de Arrábida, who became his mentor.

The military formed a provisional government, supplanting the regency appointed by John VI, and summoned the Cortes—the centuries-old Portuguese parliament, this time democratically elected with the aim of creating a national Constitution.

[86] A member of the Constituent Assembly, Bonifácio resorted to demagoguery, alleging the existence of a major Portuguese conspiracy against Brazilian interests—insinuating that Pedro I, who had been born in Portugal, was implicated.

[91] As a result of the highly centralized State created by the Constitution, rebellious elements in Ceará, Paraíba and Pernambuco attempted to secede from Brazil and unite in what became known as the Confederation of the Equator.

As soon as he was declared regent in early 1828, and backed by Carlota Joaquina, he abrogated the Constitution and, supported by those Portuguese in favor of absolutism, was acclaimed King Dom Miguel I.

[110] Consumed by hatred and beginning to believe rumors that Miguel I had murdered their father, Pedro I turned his focus on Portugal and tried in vain to garner international support for Maria II's rights.

[118] Pedro I was increasingly rude and mean toward Maria Leopoldina, left her short of funds, prohibited her from leaving the palace and forced her to endure Domitila's presence as her lady-in-waiting.

He "reacted with his customary energy: he passed a flurry of orders, fired reputed grafters and incompetents, fraternized with the troops, and generally shook up military and civilian administration.

"[129][130] He did not forget his children, orphaned of their mother, and was observed on more than one occasion holding his son, the young Pedro, in his arms and saying: "Poor boy, you are the most unhappy prince in the world.

[148] Regardless of Pedro I's failures as a ruler, he respected the Constitution: he did not tamper with elections or countenance vote rigging, refuse to sign acts ratified by the government, or impose any restrictions on freedom of speech.

When he declared his intention to remain in Brazil on 9 January 1822 and the populace sought to accord him the honor of unhitching the horses and pulling his carriage themselves, the then-Prince Regent refused.

[165][172] A large crowd, incited by the radicals, gathered in Rio de Janeiro downtown on the afternoon of 6 April and demanded the immediate restoration of the fallen cabinet.

"[176][177] At dawn on the morning of 7 April, Pedro, his wife, and others, including his daughter Maria II and his sister Ana de Jesus, were taken on board the British warship HMS Warspite.

[187][188] Charles Napier, a naval commander who fought under Pedro's banner in the 1830s, remarked that "his good qualities were his own; his bad owing to want of education; and no man was more sensible of that defect than himself.

"[189][190] His letters to Pedro II were often couched in language beyond the boy's reading level, and historians have assumed such passages were chiefly intended as advice that the young monarch might eventually consult upon reaching adulthood.

[181][E] While in Paris, the Duke of Braganza met and befriended Gilbert du Motier, Marquis of Lafayette, a veteran of the American Revolutionary War who became one of his staunchest supporters.

[185][192] With limited funds, Pedro organized a small army composed of Portuguese liberals, like Almeida Garrett and Alexandre Herculano, foreign mercenaries and volunteers such as Lafayette's grandson, Adrien Jules de Lasteyrie.

[196][197] During the war, the Duke of Braganza mounted cannons, dug trenches, tended the wounded, ate among the rank and file and fought under heavy fire as men next to him were shot or blown to pieces.

[199] Pedro proceeded to subdue the remainder of the country, but just when the conflict looked to be winding down to a conclusion, his Spanish uncle Don Carlos, who was attempting to seize the crown of his niece Doña Isabella II, intervened.

In this wider conflict that engulfed the entire Iberian Peninsula, the First Carlist War, the Duke of Braganza allied with liberal Spanish armies loyal to Isabella II and defeated both Miguel I and Carlos.

If we [Brazilians] exist as a body in a free Nation, if our land was not ripped apart into small enemy republics, where only anarchy and military spirit predominated, we owe much to the resolution he took in remaining among us, in making the first shout for our Independence."

"[214][215] John Armitage, who lived in Brazil during the latter half of Pedro I's reign, remarked that "even the errors of the Monarch have been attended with great benefit through their influence on the affairs of the mother country.

Armitage added that like "the late Emperor of the French, he was also a child of destiny, or rather, an instrument in the hands of an all-seeing and beneficent Providence for the furtherance of great and inscrutable ends.

In the old as in the new world he was henceforth fated to become the instrument of further revolutions, and ere the close of his brilliant but ephemeral career in the land of his fathers, to atone amply for the errors and follies of his former life, by his chivalrous and heroic devotion in the cause of civil and religious freedom.

His tolerance of public criticism and his willingness to relinquish power set Dom Pedro apart from his absolutist predecessors and from the rulers of today's coercive states, whose lifetime tenure is as secure as that of the kings of old."

Macaulay affirmed that "[s]uccessful liberal leaders like Dom Pedro may be honored with an occasional stone or bronze monument, but their portraits, four stories high, do not shape public buildings; their pictures are not borne in parades of hundreds of thousands of uniformed marchers; no '-isms' attach to their names.

"[218] As part of Brazil's 200-year independence celebrations in 2022, the embalmed heart of Pedro I received military honors upon arrival in Brasília and was put on public display at the foreign ministry.

Painting with a half-length portrait of a young child with wavy auburn hair, wearing a blue jacket, open-necked lace-trimmed shirt, and striped sash, and holding a small bouquet of flowers
Pedro around age 2, c.1800, by Agustín Esteve
Painting showing the head and shoulders of a boy wearing a high collar and a coat adorned with medals and a striped sash of office
Pedro around age 11, c.1809, by Francesco Bartolozzi
Colored full-length portrait showing a young man with curly hair and long sideburns who is wearing an elaborate gold-embroidered blue military tunic with gold epaulets and medals, blue trousers, black boots, a striped sash of office and gold belt, with his left hand resting on a sheathed sword
Portrait by Jean-Baptiste Debret of Pedro around age 18, c.1816
Colored sketch depicting a crowd of civilian and military figures standing and waving before the crowded balcony of a pedimented building with people looking on from its windows
Pedro, in his father's name, makes an oath of obedience to the Portuguese Constitution on 26 February 1821. He can be seen at the middle of the balcony raising his hat. Painting by Félix Taunay, Baron of Taunay .
Painted head and shoulders portrait showing a young man with curly hair and mustachios who is wearing a formal black coat, high collar and cravat with a city scene in the distant background
Pedro at age 23 with the town of São Paulo in the background, August 1822 by Simplício Rodrigues de Sá
Half-length pencil or silverpoint sketch showing a young man with curly hair and long sideburns facing left who is wearing an elaborate embroidered military tunic with heavy gold epaulets, sash and medals
Profile view of Pedro I at age 25 by Debret , 1823
Painted half-length portrait showing a young man with curly hair and mustachios who is wearing an elaborate embroidered military tunic with gold epaulets and medals
Pedro I at age 27 during his trip to Salvador , Bahia province, March 1826, by Antônio Joaquim Franco Velasco [ pt ]
A large crowd of people and mounted horsemen fill a large public square before the steps of a twin-spired baroque church
Celebration in São Francisco de Paula square, Rio de Janeiro city, for the return of Pedro I from Bahia , 4 April 1826 by Debret
Under a red canopy in a baroque church, a man in uniform places a ring on the finger of a woman in an elaborate white dress, attended by 4 small children, bishops and other onlookers
Marriage of Pedro I to Amélie of Leuchtenberg . Next to him, in order of precedence , are his children with Maria Leopoldina: Pedro , Januária , Paula and Francisca . Painting by Debret .
Engraved half-length portrait showing a young man with curly hair who is wearing an elaborate brocade military tunic with epaulets, a striped sash of office and medals
Pedro I at age 32, 1830
A painting showing a crowded room in which a uniformed man hands a sheaf of papers to another uniformed man while in the background a weeping woman sits in an armchair holding a young boy before whom a woman kneels
Pedro I delivers his abdication letter on 7 April 1831, painting by Aurélio de Figueiredo [ pt ]
Lithographic half-length portrait depicting a middle-aged man with a full beard and wearing a military tunic with epaulets, sash and large medal
Pedro, Duke of Braganza, at age 35, 1833. After their invasion of Portugal, he and his soldiers swore not to shave their beards until Maria II was restored. [ 178 ]
A lithograph depicting a curtained bed on which lies a bearded man with closed eyes and a crucifix lying on his chest
Pedro on his deathbed, 1834
Photograph of a white stone steps leading up to a large, altar-like monument in white marble with bronze sculptural decorations that include bronze braziers at the corners, a bronze frieze in high relief at the base and bronze figures surrounding a chariot on a high, white marble plinth in the center
Monument to the Independence of Brazil where Pedro I and his two wives are buried
Cursive signed Imperador followed by a script P and 5 dots arranged as a cross
Pedro I's signature in official documents
Cursive monogram or cipher P with flourishes
His signed initials in official documents
Imperial coat of arms of Brazil, used between 1870 and 1889
Brazilian Imperial coat of arms