Published in 1969, the book continued her practice, started in her student days, of using herself as a muse and consists of a photo collage overlaid with her poetry.
"[13] In 1970 Slinger and filmmaker Peter Whitehead filmed and photographed at Lilford Hall, a decaying mansion in Northamptonshire, England.
[16] In 1971 Slinger had her first solo exhibition at Angela Flowers Gallery, London, featuring assemblages of lifecasts of her head and transformed dolls.
Art critic Peter Fuller, '"Penny Slinger's work is a documentation of the role of one woman in a world still dominated by concepts of male superiority....she emerges as one of the most active and socially relevant artists around.
With Douglas and Bhaskar Bhattacharya, she wrote The Path of the Mystic Lover - Baul Songs of Passion and Ecstasy in 1993, and provided 84 drawings for it.
[19] In 1971 Slinger joined the first British all women theatre troupe, Holocaust, directed by Jane Arden because she said she wanted to contribute her talents to something bigger than herself, and the intentions of the group felt in alignment with her own resolve to delve deeply into and express the unearthed realms of the feminine psyche.
[22] In 1972 Slinger participated in the controversial cult classic, The Other Side of the Underneath, directed by Jane Arden and shot on location in Wales.
[30] Slinger had been working on using the Xerox copying machine to make mono prints of her face and body since she was teaching at Portsmouth College of Art in 1973.
By 1976 she had manifested a group of images using this technique called Scrolls which were her response to the ‘Chakra Man’ motif in classical Tantric Art.
[31] During the mid seventies Slinger's three-dimensional work included a series of doll house like sculptures which blended Surreal and Tantric themes.
[35] Her work with archaeology led her to create a series of over 100 paintings, pastels and block prints depicting Arawak people, the indigenous, original inhabitants of the islands, and their lifestyle.
[37] During this time Slinger opened her own gallery, created a series of historical murals for permanent installation at the airport and designed two sets of stamps.
[38] Her film Visions of the Arawaks was released in 1994 and consisted of a poetic and artistic journey into the spirit of a people through Penny’s painting and pastels.
[41][42] During this time she also made a series of large assemblages utilizing life casts of her own body in relationship to many items she had collected and interacted with entitled The Alchemy of Stuff.
[46] Slinger also designed the last look of the haute couture show, a gold leafed wearable doll house based on 30 Avenue Montaigne.
This series documents the personal and collective feelings of this period and featured her own naked body as part of her current practice addressing ageism.
[37] Slinger was married to microbiologist Christopher Hills, the co-discoverer of the protein-rich plankton spirulina and co-founder of the University of the Trees in Boulder Creek, California.
2014 Cry Me a River, Etoile Polaire Lodge #1, New Orleans, LA 2014 I:MAGE 2014- Travelling with Unfamiliar Spirits, Fulgur Esoterica, London 2013 Lips Painted Red, Trondheim Kunstmuseum, Norway 2011 Threat, Broadway 1602, New York.
2009 The Dark Monarch, Tate Gallery, St Ives 2009 Angels of Anarchy, Manchester Art Museum 1993 Presentes Caraibes - 500 Years of Amerindian History, Fort Delgres, Guadeloupe.