Initially, from 1966 to 1968, Peter Angermann, who was born in 1945 in Rehau, a small town in Upper Franconia in Bavaria, studied at the Academy of Fine Arts, Nuremberg, Then, in autumn 1968, he was drawn to the class run by Joseph Beuys at the Kunstakademie Düsseldorf.
Standing now on his own two feet, Peter Angermann has retained the socio-critical impulse from his earlier works – coupled with that provocative and at times absurdist humour that marks many of his paintings to this day.
In fact, these are paintings of family life, which, while sharpening our eye for the human condition under the strict use of the bear guise, do not baulk at depicting idylls.
Ten years later Angermann pulled another surprise out of the hat – at first through the sheer joy of exploring a genre which at that time was frowned on: en plein air painting.
In 1995, Angermann made his home one hour's car drive away from Nuremberg, in Thurndorf, where, far removed from the turmoil of the art business, he continues to dedicate himself enthusiastically to the medium that holds every possibility of artistic development open to him: painting.