He received his Ph.D. and MA in Art History from Concordia University, Montreal, and has written about the intersection of biopolitics, medicalization, and artistic experience from the eighteenth to early twenty-first centuries.
Gallo's works have been featured in solo and group exhibitions in the United States and Europe, and are included in notable collections of contemporary art.
Gallo draws from a wide variety of sources – art historical, political, and literary, and often incorporates poetic, philosophical and found texts in his mixed-media paintings.
His paintings often incorporate unconventional materials, including buttons, toothpicks, newspaper clippings, found photographs, string, typed texts, dental floss and chicken bones.
Critic Jonathon Goodman writes that in current art trends this kind of “ad hoc creativity often serves to mask poor skills, but in Gallo’s case, the rawness is a genuine part of his aesthetic, whose ungainliness keeps us thinking.“[1]