While not ignoring Kubelka's efforts, Conrad created a similar piece with a very different concept, focused more on rhythm and perceptual distortion.

Kubelka also created two pieces Adebar (1957) and Schwechater (1958) that were commissioned by businesses (a dance club and a beer brand).

While being rejected as ads, his editing and choice of images and sound is seen as almost Platonic ideals of the transposition of dynamic work to the screen in the commercial form.

The theater had individual seats blocked with visual barriers so that each audience member was totally isolated from other patrons.

While his body of art work is limited, his influence on the European and American "avant garde" was significant, and continues to be so.