For over thirty years he has been active in the music industry producing, programming, engineering, editing, mixing, performing, and teaching.
[1] His credits and clients include sources as diverse as Radiohead, Fad Gadget, Placebo, Depeche Mode, Moby, Amanda Ghost, Snow Patrol, Dido, Babyshambles, Elastica, Ableton, Mute, Phil Vinall, Fun-da-mental, Hut, V2, Witness, X-FM, The Drum, The Duke Spirit, One Little Indian, Sasha Skarbeck, Toyota, Aziz Ibrahim, Arista, Yamaha, Ed O’Brien, Alabama 3, Polydor, Lukas Burton, The British Film Institute, Segs Jennings, Island, PIAS, Steve Dub, dEUS, Channel 4, Titan, Phil Selway, Fangoria, Zoe, Das Pop, Beggars Banquet, Cyberdance, Boy George, Lalalover, Sony BMG, Universal, EMI and Warner Bros.
Meta Junction was a community of London-based electronic musicians and progressive experimentalists working with classic hardware and innovative software.
The community's output mixed a wide range of styles uninhibited by arbitrary labeling, marrying digital communication and new technology with analogue music production methods.
He delivers higher education content specialising in DAW, synthesis, sampling, audio processing, sonic manipulation and electronic music production.