In 2012, Jones was included in the exhibition "New Romantics" at The Rooms, alongside Photographer Anthony Redpath and artist Kelly Richardson, curated by Bruce Johnson.
"[8] The drawing, and the process of creating it, was described as "an unfolding linear landscape consisting of myriad geometric shapes and expressive washes in subtly monochromatic tones.
The artist deliberately had no end vision for the final island, wanting instead to see how it would grow and attempting to keep herself (in her own words) 'in a state of continuous imaginative possibilities.
"[10] This piece was exhibited in ‘Shine a Light: Canadian Biennial 2014’ at The National Gallery of Canada and was curated by Josée Drouin-Brisebois, Greg Hill, Andrea Kunard, Jonathan Shaughnessy and Rhiannon Vogl.
Author Lisa Moore wrote of this work: "Philippa Jones's installation ... captures the isolation of living in a town on an island in the North Atlantic, especially under the smothering, claustrophobic blanket of winter, when air travel is often thwarted and even a trip to the bar becomes a mythic voyage".