Many went on to significant careers in journalism (Greg Quill, Vince Lovegrove), creative writing (Lily Brett, Jean Bedford, Damien Broderick), photography (Colin Beard, Grant Mudford), filmmaking (David Elfick, Bob Weis), graphic art (Ian McCausland) and television (Molly Meldrum).
In 1970, Frazer used Go-Set's facilities to launch a counter-cultural monthly named Revolution,[5] then negotiated with Rolling Stone owner and publisher Jann Wenner for several pages of that magazine to be included as a supplement.
With Frazer as the common thread, The Digger was produced by a frequently changing collective—including Bruce Hanford, Helen Garner, Ponch Hawkes, Colin Talbot, Garrie Hutchinson, Virginia Fraser, Sandra Goldbloom, and Isabelle Rosemberg, plus Hall Greenland, Grant Evans and Michael Zerman in the Sydney office—until December 1975, when it folded under the weight of too little money and too many lawsuits— including a libel suit from Builders Labourers union boss Norm Gallagher, another filed by a senior South Australian police official, and an obscenity case brought by the State of Victoria for Helen Garner's article describing a sex-education class.
[1] In New York, Frazer was an editor at Seven Days, a U.S. alternative newsmagazine, then worked on other U.S. political magazines including The Nation, the anti-nuclear-power organization No-Nukes, and in 1981-82 edited Ralph Nader's Multinational Monitor.
The Lowdown, with around 100,000 paying subscribers, is one of the biggest circulation political publications in the US, notable for its criticism of Bill Clinton's, George W. Bush's, Barack Obama's, and Donald Trump's administrations for being beholden to corporations and a corporatist ideology.