Photography by Indigenous peoples of the Americas

Indigenous peoples of the Americas have used photography as a means of expressing their lives and communities from their own perspectives.

1847–unknown), the grandfather of Frida Kahlo; Benjamin Haldane (1874–1941), Tsimshian of Metlakatla Village on Annette Island, Alaska;[1] and Richard Throssel (1882–1933), Cree of Montana.

Jennie Ross Cobb (1881–1959), Cherokee Nation of Park Hill, Oklahoma, began developing her own film as a young child and photographed her college classmates, family, neighbors, and students.

Peter Pitseolak (1902–1973), Inuk from Cape Dorset, Nunavut, documented Inuit life in the mid-20th century while dealing with challenges presented by the harsh climate and extreme light conditions of the Canadian Arctic.

1957) borrows from a Victorian aesthetic to create haunting, mysterious portraits of Mayan and mestizo people, especially women, from his native Guatemala.

[12] Today more Native people are professional art photographers; however, acceptance to the genre has met with challenges.

Hulleah Tsinhnahjinnie (Navajo-Muscogee-Seminole), has not only established a successful career with her own work, she has also been an advocate for the entire field of Native American photography.

Lee Marmon (Laguna Pueblo), next to his most famous photograph, "White Man's Moccasins"
Benjamin Haldane ( Tsimshian ) with camera, Metlakatla, Alaska , ca. 1895–1905
Cherokee Female Seminary students stroll along boardwalk that led from school into Tahlequah, photograph by Jennie Ross Cobb ( Cherokee ), ca. 1902, collection of the Oklahoma Historical Society
Curly (1859-1923), Crow survivor of the Battle of Little Big Horn , photo by Richard Throssel , ca 1907
Photograph of his home by Peter Pitseolak ( Inuk ), 1968