The music grows abruptly in volume, with the violins taking up the principal melody over the march theme, which is now played by the brass.

Immediately after an orchestral cadence finally announces the arrival of the dominant, the music abruptly shifts to G minor in a passage that foreshadows the main theme of the Symphony No.

Over the course of this final section, the music makes its way back to the tonic keys of F minor and then F major and a short coda concludes the movement.

The final rondo movement begins with the full orchestra espousing a joyous "jumping"[This quote needs a citation] theme.

After a short cadenza, the piano joins in with a theme reminiscent of the finale of Michael Haydn Symphony No.18 in C major[citation needed] and further elaborates.

The main theme appears one final time, leading to an upward rush of scales that ends on a triumphant note.