Pierre-Philippe Thomire

In his pre-Revolutionary training, Thomire appeared first as a ciseleur, in the division of duties that went into the production, for example, of a set of gilt-bronze wall-lights delivered for Marie-Antoinette's card-room, her Salon des Jeux at Compiègne: under the general supervision of Hauré, the wax and wooden model was carved by Martin, cast by Forestier, and chased by Thomire, as Pierre Verlet was able to show over fifty years ago.

[1] He had received his training in the workshop of Pierre Gouthière, the outstanding Parisian ciseleur-doreur working in the Louis XVI style, before establishing his own shop in 1776.

[2] In 1783–84 he received his first notable commission, casting and finishing the gilt-bronze handles modelled by Louis-Simon Boizot for a pair of Sèvres porcelain vases, today divided between the Musée du Louvre and Palazzo Pitti.

Under the Empire, Thomire purchased the fashionable premises of the marchand-mercier Martin-Éloi Lignereux, for whom he had provided furnishing bronzes[3] in rue Taitbout, Paris.

[13] In a notable commission for Count Nicolay Demidoff in 1819, Thomire produced finely-made figures of Fame with doubled trumpets to serve as handles for the massive malachite-veneered vase now at the Metropolitan Museum.

Baluster candle sticks and a French Empire mantel clock with a figure of Minerva, (1817). Located in the Blue Room of the White House , shown as decorated by Stéphane Boudin in 1963. The clock is now on a table of the Entrance Hall .
Mantel clock (c. 1810) in a gilded and patinated bronze case, symbolising the marriage of Napoleon and the Archduchess Marie-Louise, as Mars and Venus