A 15th-century stone mansion which was a finca (farm estate), it was converted into a hotel in 1978 by British-born Australian Anthony Pike.
's 1983 hit "Club Tropicana" and for Freddie Mercury's 41st birthday bash in 1987, cited as one of the most lavish parties ever to be held on Ibiza.
Yachtsman[7] and former hat maker Pike led a very colourful life, which had already seen him shipwrecked in the Caribbean, injured in a bobsleigh accident, serving in the military, indulge in heavy drinking, and married and divorced three times.
[5] Together they bought a derelict finca called Ca’n Pep Toniet in the countryside east of Sant Antoni and they decided to renovate it into a hotel.
An acquaintance of Palk's, Simon Napier-Bell, visited him at the hotel whilst scouting for a video shoot location.
The scenario saw George Michael "floating about on a lilo in his Speedoes and shades", relaxing with the boys by Pike's pool sipping cocktails.
"[6] It has been cited as a legendary party, with a celebrity guest list of some 500 people and up to 700 people in total which included Julio Iglesias, Grace Jones, Jean-Claude Van Damme, Kylie Minogue, Nigel Benn, Anthony Quinn, Bon Jovi, Boy George, Five Star, Tony Curtis, Robert Plant, Naomi Campbell, and Spandau Ballet.
His son, Anthony Dale Pike, flew to Miami to deal with Forti in person, since Tony had been diagnosed with AIDS-related dementia.
The new owners made Tony Pike the first full-time resident of the hotel and he lived permanently in Room 25 until his death in 2019.
"[16] Scottish rockband Biffy Clyro and Australian pop singer Kylie Minogue stayed at the hotel during the Ibiza Rocks Festival in 2011.
[3] It is considered to be one of the most famous or infamous hotels on the island and has been cited as one of the "world's true spiritual homes of rock n’ roll hedonism".
[20] The rooms each have different themes, including "Honeysuckle" and "Sunset", the latter of which is set behind the middle of three dark wood doors on the second floor of a small outhouse.
The bedroom was enormous, and the bathroom was decorated in a vaguely Moroccan style with a curtained bath nestling behind a low arch.