In 15th-century sources it is described as the fastest version of the basse danse.
Antonio Cornazzano, for example, in his Libro del'arte del danzare (ca.
The pivas in Joan Ambrosio Dalza's 1508 lute collection are very repetitive pieces in quick triple time, with no clearly defined structure.
However, it may not be accurate to describe them as being in triple time, since the fast triple rhythmic groupings do not represent one bar each, but rather single beats divided into triplets, just like Thoinot Arbeau's mesure ternaire for the basse danse (Sachs 1937, 327).
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