Reed began to take interest in the darker side of the sound, specialising in sets featuring tracks from the likes of Wookie, Zed Bias, El-B, Groove Chronicles, Steve Gurley and working alongside MCs Tricks & Spellz as part of the "Fearless Crew".

It was then that Reed was to begin using the name Plasticman for future works, which he later changed to Plastician due to the similarity to Canadian-British techno artist Richie Hawtin's "Plastikman".

[2] Being based in Croydon, Reed was part of a close-knit community of young producers attempting to make dark garage tracks that would catch the ear of Big Apple Records resident DJ Hatcha so that he could support them on his popular pirate radio show.

By 2003, Reed had been supported by DJ Hatcha on tracks such as Hard Graft, which saw his grimy take on the instrumental sound being welcomed by the FWD contingent, leading to releases on Ammunition Promotions' Soulja, and ROAD imprints, a weekly slot on Rinse FM alongside Mark One (MRK1) & Virus Syndicate, and in the summer saw Reed's first appearance at the world-famous FWD event at Plastic People, London.

[7] More recently, Plastician has been exploring the experimental trap offshoot, wave music for which his "Wavepool" mixes have become recognized as the main reference point for the birth of the genre.