In 1954, the Belvedere replaced the Cranbrook as the top trim and became a full model line with sedans, station wagons, and convertible body styles.
During the 1950s and 1960s Chrysler Canada built the Belvedere for Commonwealth export markets such as New Zealand, India, and South Africa, in either CKD form or in factory right-hand-drive.
The model was developed in response to the 1950 Chevrolet Bel Air and the Ford Victoria, the first two-door hardtop in the low-priced American market.
Powering the Belvedere is the Chrysler flathead 217.8 cu in (3.6 L) straight-6 engine with a 7.00:1 compression ratio producing 97 hp (72 kW; 98 PS) (SAE gross).
The most significant upgrade was to the color scheme; to further distinguish the top-level Belvedere from other Plymouths, the two tones now flowed from the roof over the beltline onto the trunk, referred to as the "saddleback" treatment.
Two-tone color schemes were "sable bronze" over suede, black over "mint green", and gray over blue.
Significant changes include a shorter 114 in (2,900 mm) wheelbase, a one-piece windshield, flush rear fenders, and a lower hood line.
The engine was carried over from 1952, with the only enhancement being a slight increase in the compression ratio to 7.10:1, which yielded a rating of 100 hp (75 kW).
An entry-level nameplate, the Plymouth Plaza, was introduced sharing the same design and technology at a lower price.
In March 1954, Plymouth finally offered a fully automatic transmission, the Chrysler PowerFlite two-speed.
Chrysler promoted the all-new appearance, showing cars built at the Lynch Road Factory in a featurette movie Here.
Most notable would be the introduction of the first push-button automatic transmission to appear in an American automobile, and a more dramatic rear-end treatment highlighted by a pair of rakish tail-fins.
The convertible was only V8 powered and V8s were available in other Belvederes with an optional "Fury" 301 cu in (4.9 L) version as well as a "High-Performance PowerPAC" at extra cost.
Starting in 1960, Belvederes got a brand-new standard inline six-cylinder engine replacing the venerable valve-in-block "flathead" six.
Unit body construction was introduced throughout the line, though it appeared on certain Plymouths in earlier years such as the 1953 hardtop coupe.
Under Chrysler president William Newberg, Virgil Exner's styling team was encouraged to go "over the top" with distinctive styling, leading the 1960 models to be popularly dubbed the "jukebox on wheels" and the 1961 models were not well-received and "unfairly maligned just for being different... the cleaner, finless look was certainly on the way in, and today the Belvedere looks distinctive.
[17] A Plymouth Belvedere with a six-cylinder engine and automatic transmission was compared to the intermediate-size Ford Fairlane and the compact-size Chevrolet Chevy II in an economy test by Popular Mechanics and the road test concluded that the Belvedere was "a very pleasant transportation package.
The 1964 Belvedere (and corresponding Fury hardtop coupes) featured a new "slant-back" roofline that proved to be popular, and sales improved significantly over the previous design.
This was such a significant high-RPM breathing improvement that Hemi-equipped Plymouth Belvederes won first, second, and third at NASCAR's 1964 Daytona race.
However, the Belvedere was little changed, and most dimensions and weights remained the same—the Fury was merely enlarged, restoring a full-sized line which Plymouth had been lacking.
The first model, based on the 1953 US Plymouth, featured a high level of Australian content, with body panels pressed in Chrysler Australia's Keswick facility in South Australia and matched with a 217.8 cubic inch (4,107 cc) side-valve six-cylinder engine, imported from Chrysler UK.
[23] It was produced as a four-door sedan[23] and as a locally developed two-door coupe utility,[24] along with similar Cranbrook and Savoy models, until it was replaced by the Chrysler Royal in 1957.
[27] During Oklahoma's 50th anniversary, a new 1957 Plymouth Belvedere was sealed in a concrete enclosure as a time capsule in downtown Tulsa on the grounds of the brand-new county courthouse.
In line with the Cold War realities of late-1950s America, the concrete enclosure was advertised as having been built to withstand a nuclear attack.