[3] Its northern tip "Verlängerte Rinkauerstraße" (Extended Rinkauer street) was the location of Prussian army barracks, German: Kaserne Rinkau:[4] the Infanterie-Regiment Nr.

Registered on Kuyavian-Pomeranian Voivodeship heritage list, Nr.727947, Reg.A/1530, April 4, 2009[13] 1878[8] Eclecticism & Neo-renaissance The house was commissioned by Wilhelm ßiehl, a baker, who lived in Bahnhofstraße.

The facade, renovated in 2015, displays features of Neo-renaissance style: symmetry, recurrent motifs such as vegetal garlands and pediments on first level windows, series of corbels supporting the roof, thin topping frieze.

1906–1908 German Historicism The house was commissioned by Carl Lachman,[11] a butcher, owner of a company producing meat, the Gebrüder Lachmann seated at nearby Bahnhofstraße 95a (now Nr.8).

Both elevations are purposefully designed on asymmetry, as a means of architectural expression, like the gables' shape, the only bay window in the corner or even the location of the entry gate.

[16] In 1923, the building renovated by families Rodziewiczówna and Grzymala-Siedlecki was the first place to house a charity kitchen managed by the Union of Poles from the Eastern Borderlands (Polish: Związek Polaków z Kresów Wschodnich).

This corner building displays various architectural elements of decoration on its facades, from triangular and half-circled pediments, to pilasters flanking the window openings, from discrete balustrades to prominent corbels under the roof.

1911[8] Eclecticism-Art Nouveau Apparently, the house (with ancient address "Rinkauerstraße 9") has been commissioned by Carl Kretschmer, a copper craftsman, specialized in building machines and pipes.

[21] The facade displays typical features of Art Nouveau architecture: simplified motifs, wavy shapes, floral ornaments.

1899–1901[8] Eclecticism Although the plot was built prior to the current building (e.g. owner Ludwig Posorski, a locksmith in 1885[10]), the actual edifice had Julius Wernick for first landlord.

[24] The building, though in bad shape, keeps some remnants of its initial architectural cachet: symmetry of the facade, recurrent motifs such as vegetal garlands and pediments on first level windows and slight avant-corps to underline the frontage.

The elevation is remarkable by its care of symmetry: 1895–1897[8] Historicism, Eclecticism Anton Opiß, a tax collector, has commissioned the construction of the tenement at then Rinkauerstraße 58 in the early 1880s, and moved there in 1886.

The facade does not show wavy shapes (apart on the gable), typical in Art Nouveau, but its decoration boasts other architectural details: 1896–1897[8] Eclecticism This tenement, at then Rinkauerstraße 57, was owned most of the Prussian period by a tailor, Friedrich Frommholz.

One can underline the detailed low-relief of Demeter with Cupid as a putto on the first floor, testifying to the wealth of original owner (H. Schulz): as a baker, the image of the goddess of corn, grain, and harvest could be the only patron.

[40] Registered on Kuyavian-Pomeranian Voivodeship heritage list, Nr.601240, Reg.A/805, September 9, 1989[13] 1883 Historicism & Neo-Gothic[42] The temple has been used by the local congregation of Baptists since its inception at the crossing with Cieszkowskiego Street.

Some Italian themes are included in the display of the rose window in the facade and the geometrical frieze running at the top of each tower, beneath the gable.

Registered on Kuyavian-Pomeranian Voivodeship heritage list, Nr.601398-Reg.A/1099, May 4, 1994[13] 1896–1897, by Józef Święcicki and Anton Hoffmann Eclecticism, forms of Neo-Renaissance & Neo-Baroque The first building on the plot dates back to the 1870s.

1891[8] Eclecticism, Neoclassical architecture Initial address was Rinkauerstraße 30, the property was owned by the municipality, as Bromberg city apartments (German: Wohnungsverein gehörig).

The facade of the building, recently renovated, displays typical neoclassical features: rows of symmetrical windows and moderation in the decoration.

Registered on Kuyavian-Pomeranian Voivodeship heritage list, Nr.601399-Reg.A/1051, December 8, 1997[13] 1898–1899, by Fritz Weidner Eclecticism, forms of picturesque architecture & Neo-Baroque The first building on the plot dates back to the 1870s.

1903[8] Art nouveau, forms of early Modern architecture Although the plot has been occupied from the late 19th century,[47] the current building was built on behalf of Adolf Haase, a railway engineer,[48] who moved there one year after its completion in 1904.

The facade features elements of Art Nouveau details, with its curved shape of the gable or the gate, as well as the presence of thin pilasters flanking middle windows up to the top.

We rather discover lean elevation rid of motifs, characterized by vertical lines, simply decorated balconies, typical of early modernism.

After World War II, Zygmunt Ciupek took over the place and run a candy factory, Danuta, in the courtyard, which was soon merged into a local cooperative.

Today it is the seat of the Bydgoszcz Association of Houses Owners and Managers (Polish: ZWiZD Bydgoszcz- Zrzeszenie Właścicieli i Zarządców Domów w Bydgoszczy), a 50-year-old local real estate institution.

At each extremity are male figures, the pediment over the entry gate displays a female one, adorned like a noble: in between them are floral and vegetal ornaments.

[56] Created in 2019 as part of the edition of the "Vintage Photo Festival", the artist represented there Jadwiga Szopieraj, a pioneering photograph in Bydgoszcz.

[59] Current facade displays a lot of architectural motifs: slight avant-corps on each side, two massive balconies over the entry gate, a long corbel table at the top and, especially, many richly decorated pediments above windows.

The former address was first owned by Bartholomäus Ferrari, a baker, in 1893,[25] while for the latter, the first landlord was Theofil Krüger, a merchant, after completion of the actual corner house.

On the other hand, some elements of Neo-Baroque are popping up on the facade decoration: very complex ornamentation of pediments and wrought iron balconies, large flower motifs on the second floor, topped on each side by a long plain balustrade standing on the roof.