It shows Charles V seated on a chair to the left, facing the viewer, with his black robes contrasted with the red carpet and gold tapestry behind him.

In the right half of the painting is a landscape, barely sketched in, in light colours.

[citation needed] In his 2014 book World Order, Henry Kissinger writes of the painting: "The effort to fulfill his aspirations inherent in his office was beyond the capabilities of a single individual.

A haunting portrait by Titian from 1548 at Munich's Alte Pinakothek reveals the torment of an eminence who cannot reach spiritual fulfillment or manipulate the, to him, ultimately secondary levers of hegemonic rule.

Titian described imperial Augsburg as the glory of the world and told his friend Lorenzo Lotto that he was surrounded by all the favours of the court and of the Emperor.