It is framed by the inwards swoops of the cured rose and gold Louis XVI chair, and embroidered pale yellow and red silk shawl.
She holds an expensive-looking fan, and is adorned with three partly visible rings, an elegant thin necklace and elephant hair bracelets.
[1] The contemporary critic Théophile Gautier wrote of her that "there is no woman that M. Ingres has painted, but the likeness of the ancient Chimera, in Empire dress.
[5] Forty years after its completion, Duvaucey urgently needed money and visited Ingres in Paris to sell the painting.
Ingres recognised her, and found a buyer in Fredric Reisit, whose collection became the Musée Condé, Chantilly where the painting remains today.