On the terrace of a hôtel particulier on the Mont-Saint-Martin, Bonaparte contemplated the city, criticising the église Saint-Jean-en-l’Isle, ordering a bell tower (which it still lacked) for the new cathédrale Saint-Paul and approved the siting of the fort de la Chartreuse.

[2] A large crowd (the city's population having tripled during the two days of the visit) gathered to acclaim Bonaparte and some even knelt in his path.

Deeply impressed by the inhabitants' misery, Bonaparte decreed 300,000 francs to the prefect of Ourthe, baron Micoud d'Umons, for the suburb's reconstruction.

[2] To show his satisfaction, Bonaparte announced his intention to offer the city of Liège a portrait of him by Ingres, which would be sent to them a year later.

[4] Ingres—who had made his debut at the Salon the previous year—thus became one of five artists (the others were Jean-Baptiste Greuze, Robert Lefèvre, Charles Meynier, and Marie-Guillemine Benoist) who were commissioned to paint full-length portraits of Napoleon to be distributed to the prefectural towns of Liège, Antwerp, Dunkerque, Brussels, and Ghent, all of which were newly ceded to France in the 1801 Treaty of Lunéville.