With their latest album, ‘Praise A Lord Who Chews But Which Does Not Consume; (Or Simply, Hot Between Worlds)’ the experimental producer and songwriter transcends even further, dipping into electronica, alt-pop and punk territory and landing on a collection of songs that are equally bizarre and delightful.

's Allie Gregory writes: "Bewildering and disparate influences merge to form an agitation of genre, from the twinkles of Halifaxa-era witch house and Strokes-indebted bass notes on the glistening "Lovely Sewer," to the P.O.D.- and Incubus-inspired aughts rock of "Meteora Blues" [...] and the outright indie sleaze of "Operator.

"[21] NPR's Anupa Mistry writes: "There are hierarchies of gender, race, desire (as in needs, but also romance) and performance that Yves Tumor's music disrupts through its intense magnification and worship of life, death and spirituality.

"[22] Alisdair Grice of DIY writes: "Their blunt, affecting lyrics on ‘Praise A Lord…’ separates them from other leftfield pop acts, somehow creating grounding, brutal love songs amid the flurry of dance-pop and industrial noise.

"[12] In June 2023, Alternative Press published an unranked list of the top 25 albums of the year to date and included this release, calling it "a sheer pop thrill" that is "intoxicating, empowering you to relinquish yourself to the music completely and, primarily, feel just as free as the boundary-defying extraterrestrial behind the microphone".