In particular, a preserved set of four sphinxes, three lion legs, a falcon, and two recumbent gazelles, comprise the earliest and most complete evidence for a luxury chair or throne from the ancient world.
[4] At the time, the sphinxes were interpreted as "little ivory stool legs" having been made by a Phoenician or Syrian craftsman for the Assyrian market.
[7] While these were immediately recognized as furniture attachments and fittings, scholars continued to debate the origin and date of their production.
Dimand, a curator in the museum, challenged the initial assessment of the works, dating them to the end of the second millennium, around the 13th or 12th century B.C., and assigning their production to an "unknown Aramaean art center in Northern Syria.
"[8] Approximately three decades later, excavations at Acemhöyük in Turkey provided a conclusive answer to the question of the ivories' date and origin.
Led by Nimet Özgüç, digging at the site began in 1962, revealing two monumental buildings dating to the early second millennium B.C.
Although the Pratt ivories cannot be fully understood due to the loss of their archaeological context,[14] Elizabeth Simpson, through in depth analysis of the sphinxes and lion legs determined that the pieces were originally part of what had been a low throne or chair.
Other Pratt panels with rosettes and guilloche motifs may have originally been incorporated into the design of the chair, but unfortunately it is impossible to determine their exact arrangement.
[17] Examination of the ivory pieces also revealed traces of gilding and inlay, indicating that the chair was further embellished with gold, silver, and precious or semi-precious stones.
Based on this trace evidence, the sphinxes appear to have had dark, inlaid eyes and were decorated with applied gold and (perhaps) silver leaf.
[18] It is possible that even more extensive areas than those suggested by the remaining traces were once gilded, but that the fire reached temperatures high enough to burn off much the metal.