Simon Gage of the Daily Express praised the new material and awarded it 5 stars stating that it is "essential listening" whilst commenting that "there has been a full-bodied love affair between Take That and the British public for so long it’s difficult to imagine them ever putting a foot wrong.

"[7] Nick Levine of BBC Music similarly reviewed the album positively, concluding that the collection is "a fine Progress-complementing EP from the 10-legged national treasure.

"[8] The Independent awarded Progressed 3 stars, calling the collection a "galumphing disco electropop whose swaggering synth riffs on 'Love Love' and occasional dubstep/electro moves, as on the intro to 'Man', are swept up by standard stomp-beats"[9] whilst Q believed it was "a bold step to add to the biggest selling album of the year but one that ultimately pays off".

[10] Gavin Martin of the Daily Mirror reviewed the new material positively, opining that "from the trad Barlow ballad setting of 'When We Were Young' through the evolutionary electro of 'Man', the new songs successfully extend the original album's balancing act between dignified nostalgia and commercially crafted experimentation.

"[13] All tracks are written by Gary Barlow, Howard Donald, Jason Orange, Mark Owen and Robbie Williams and produced by Stuart Price, with additional songwriting on "Eight Letters" by Midge Ure, Chris Cross, Warren Cann and Billy CurrieAdapted from liner notes.